Grad Students

When his astrologers foretell that his son Josaphat will convert to Christianity, the pagan King Avenir confines him to a palace, allowing him to know only the pleasures of the world, and to see no illness, death, or poverty. Despite the king's precautions, the hermit Barlaam comes to Josaphat and begins to teach the prince Christian beliefs through parables. Josaphat converts to Christianity, angering his father, who tries to win his son back to his religion before he, too, converts. After his father's death, Josaphat renounces the world and lives as a hermit in the wilderness with his teacher Barlaam. Long attributed to the eighth-century monk and scholar, St. John of Damascus, Barlaam and Josaphat was translated into numerous languages around the world. Philologists eventually traced the name Josaphat as a derivation from the Sanskrit bodhisattva, the Buddhist term for the future Buddha, highlighting this text as essential source reading for connections between several of the world’s most popular religions. The first version to appear in modern English, Peggy McCracken’s highly readable translation reintroduces a classic tale and makes it accessible once again.

Publication Information:

Publisher: Penguin Group

Year of Publication: 2014

Location: New York, NY

The fascinating account of how the story of the Buddha was transformed into the legend of a Christian saint. The tale of St. Josaphat, a prince who gave up his wealth and kingdom to follow Jesus, was widely told and read in the Middle Ages, translated into a dozen languages, and even cited by Shakespeare in The Merchant of Venice. Only in the nineteenth century did scholars note the parallels between the lives of Buddha and Josaphat. In Search of the Christian Buddha traces the Buddha’s story from India to Persia to Jerusalem and then throughout Europe, as it was rewritten by Muslim, Jewish, and Christian authors, illustrating its unsuspected integration into European culture. Through a comparison of the tale’s various versions, this book reveals surprising convergences and divergences—between Christianity and Buddhism on subjects including the meaning of death, the problem of desire, and the view of women.

Publication Information:

Publisher: W. W. Norton & Company, Inc.

Year of Publication: 2014

Location: New York, NY

The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today. (from Amazon.com)

Publication Information: 

Publisher: John Hopkins University Press

Year of Publication: 2014

Location: Baltimore, MD

An influential view of ecphrasis--the literary description of art objects--chiefly treats it as a way for authors to write about their own texts without appearing to do so, and even insist upon the aesthetic dominance of the literary text over the visual image. However, when considering its use in ancient Roman literature, this interpretation proves insufficient. The Captor's Image argues for the need to see Roman ecphrasis, with its prevalent focus on Hellenic images, as a site of subtle, ongoing competition between Greek and Roman cultures. Through close readings of ecphrases in a wide range of Latin authors--from Plautus, Catullus, and Horace to Vergil, Ovid, and Martial, among others--Dufallo contends that Roman ecphrasis reveals an ambivalent receptivity to Greek culture, an attitude with implications for the shifting notions of Roman identity in the Republican and Imperial periods. Individual chapters explore how the simple assumption of a self-asserting ecphrastic text is called into question by comic performance, intentionally inconsistent narrative, satire, Greek religious iconography, the contradictory associations of epic imagery, and the author's subjection to a patron. Visual material such as wall painting, statuary, and drinkware vividly contextualizes the discussion. As the first book-length treatment of artistic ecphrasis at Rome, The Captor's Image resituates a major literary trope within its hybrid cultural context while advancing the idea of ecphrasis as a cultural practice through which the Romans sought to redefine their identity with, and against, Greekness. Publisher: Oxford University Press Month of Publication: February Year of Publication: 2013 Location: New York, NY

Winner of the 2014 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, awarded by the Modern Language Association.

Theories of power have always been intertwined with theories of fatherhood: paternity is the oldest and most persistent metaphor of benign, legitimate rule. The paternal trope gains its strength from its integration of law, body, and affect—in the affirmative model of fatherhood, the biological father, the legal father, and the father who protects and nurtures his children are one and the same, and in a complex system of mutual interdependence, the father of the family is symbolically linked to the paternal gods of monotheism and the paternal ruler of the monarchic state.

If tragedy is the violent eruption of a necessary conflict between competing, legitimate claims, The Tragedy of Fatherhood argues that fatherhood is an essentially tragic structure. Silke-Maria Weineck traces both the tensions and various strategies to resolve them through a series of readings of seminal literary and theoretical texts in the Western cultural tradition. In doing so, she demonstrates both the fragility and resilience of fatherhood as the most important symbol of political power.

A long history of fatherhood in literature, philosophy, and political thought, The Tragedy of Fatherhood weaves together figures as seemingly disparate as Aristotle, Freud, Kafka, and Kleist, to produce a stunning reappraisal of the nature of power in the Western tradition.

Publisher: Bloomsbury Academic

Published: 08-28-2014

ISBN: 9781628920789

Series: New Directions in German Studies
Volume: 9

The Middle Ages provides a particularly rich trove of hybrid creatures, semi-human beings, and composite bodies: we need only consider manuscript pages and stone capitals in Romanesque churches to picture the myriad figures incorporating both human and animal elements that allow movement between, and even confusion of, components of each realm.

From Beasts to Souls: Gender and Embodiment in Medieval Europe raises the issues of species and gender in tandem, asking readers to consider more fully what happens to gender in medieval representations of nonhuman embodiment. The contributors reflect on the gender of stones and the soul, of worms and dragons, showing that medieval cultural artifacts, whether literary, historical, or visual, do not limit questions of gender to predictable forms of human or semi-human embodiment.

“From Beasts to Souls: Gender and Embodiment in Medieval Europe is a cogent, well-conceived addition to the dynamic field of cultural studies of the body. The essays are extremely strong, with contributions that are both insightful and provocative.”

— Suzanne Conklin Akbari, University of Toronto.

Publication Information: 

Publisher: Notre Dame Press

Year of Publication: 2013

Location: Notre Dame, IN

Tatjana Aleksic examines the widespread use of the sacrificial metaphor in cultural texts and its importance to sustaining communal ideologies in the Balkan region. Aleksic further relates the theme to the sanctioning of ethnic cleansing, rape, and murder in the name of homogeneity and collective identity. She employs cultural theory, sociological analysis, and human rights studies to expose a historical narrative that is predominant regionally, if not globally.

Publication Information: 

Publisher: University of Pittsburgh Press

Year of Publication: 2013

Location: Pittsburgh, PA

Recent historical scholarship has shown the way towards a geographically capacious conception of the early modern world. Featuring essays by nine leading scholars of early modern Asia and Europe, Comparative Early Modernities casts aside the legacies of European exceptionalism to reveal the interconnected multiplicity of the early modern world and of the variety of unexpected pathways linking these histories to the evolving modernities of the 21st century. In their fresh and provocative examinations of topics in literature, philosophy, art history, and political economy, the authors transform our understanding of global early modernity and reassess the theoretical and methodological premises of comparative historical studies.

Publication Information:

Publisher: Palgrave Macmillan

Year of Publication: 2012

Location: New York, NY

The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny.

Bringing the eye of a philosopher, the pen of an essayist, and the experience of a public intellectual to the study of heritage, Daniel Herwitz reveals the febrile pitch at which heritage is staked. In this absorbing book, he travels to South Africa and unpacks its controversial and robust confrontations with the colonial and apartheid past. He visits India and reads in its modern art the gesture of a newly minted heritage idealizing the precolonial world as the source of Indian modernity. He traverses the United States and finds in its heritage of incessant invention, small town exceptionalism, and settler destiny a key to contemporary American media-driven politics. Showing how destabilizing, ambivalent, and potentially dangerous heritage is as a producer of contemporary social, aesthetic, and political realities, Herwitz captures its perfect embodiment of the struggle to seize culture and society at moments of profound social change.

Publication Information:

Publisher: Columbia University Press

Year of Publication: 2012

Location: New York, NY

Multiple Impressions examines works by 40 leading printmakers from contemporary China, highlighting the extraordinary innovations, in both technique and conception, which have transformed this long-established art form in recent years. It includes works by such artists as Xu Bing, Kang Ning, Song Yuanwen, Chen Qi, He Kun, and Fang Limin, as well as many other accomplished printmakers.
Essays by noted scholars place contemporary printmaking in its complex art historical and cultural contexts, discuss the relationship between printmaking and contemporary art, and interpret new work by the internationally prominent artist Xu Bing. The book explores three key themes in printmaking today: "Landscapes Old and New" illustrates the variety of techniques and visual idioms contemporary printmakers draw on to create expressive and fantastic landscapes; "Fellow Citizens" turns to the human figure; and "Layered Abstractions" focuses on works that showcase the distinct visual effects and pictorial language that underscore the process of making a print.

Publisher: University of Washington Press

Month of Publication: June

Year of Publication: 2011

Location: Seattle, WA

Jean Genet's masterpiece Les Nègres was first published in 1958, in the midst of the Algerian war, and first performed at the Théâtre de Lutèce in Paris in October 1959. Yet even though the play is more than 50 years old, it remains a fundamental contribution to critical race theory, as Genet unequivocally posits that no matter what a black person does or doesn't do, simply to be black in our times is itself a tragedy.
Placing Genet in the context of Negritude movement, Race and Sex across the French Atlantic equally reveals and examines blackness within the African-American dialogue with a white French author's provocative questions about race: "Is a black man always black?" and even more fundamentally, "What is blackness?" Within this framework, to question "blackness," therefore, is to set out on an ontological quest, as "blackness" has become a real, living thing in its own right within European ideology, social theory, and historical consciousness, even as Les Nègres has taken its place as a major text in the francophone and philosophical tradition of writing on race.

In essence, this book concentrates on the way in which language-particularly the French language-has shaped ideas about race within transatlantic discourses, and, with its companion, continental philosophy, has also shaped the historical understanding of discourse on race. It navigates between multiple readings of race within the French Atlantic using Lorraine Hansberry's play Les Blancs; Dany Laferrière's Comment faire l'amour avec un Nègre sans se fatiguer; Genet's dialogue with the Black Panthers; and different conceptions of the so-called N word.
Race and Sex across the French Atlantic thus explores how Les Nègres offered a groundbreaking reading of how race functioned-and continues to function-as an all-pervasive discourse that provides a central principle around which society in general is organized.

Publisher: Lexington Books

Month of Publication: December

Year of Publication: 2010

Ever since the 1969 Stonewall Riots, “gay pride” has been the rallying cry of the gay rights movement and the political force behind the emergence of the field of lesbian and gay studies. But has something been lost, forgotten, or buried beneath the drive to transform homosexuality from a perversion to a proud social identity? Have the political requirements of gay pride repressed discussion of the more uncomfortable or undignified aspects of homosexuality? Gay Shame seeks to lift this unofficial ban on the investigation of homosexuality and shame by presenting critical work from the most vibrant frontier in contemporary queer studies. An esteemed list of contributors tackles a range of issues—questions of emotion, disreputable sexual histories, dissident gender identities, and embarrassing figures and moments in gay history—as they explore the possibility of reclaiming shame as a new, even productive, way to examine lesbian and gay culture. Accompanied by a DVD collection of films, performances, and archival imagery, Gay Shame constitutes nothing less than a major redefinition and revitalization of the field.

Publication Information:

Publisher: The University of Chicago Press

Year of Publication: 2009

Location: Chicago, IL

"Les jeunes filles de Fulani sont enfermées ainsi, parfois pendant des années, dans l'obscurité, jusqu'à leur mariage imposé." A travers des portraits de femmes aux destins rebelles, de conflits de cultures, Frieda Ekotto bouscule les préjugés pour nous proposer une autre vision des rapports humains. Riche de son écriture composite, éclaté, ce récit échappe ainsi aux formes traditionnelles de la narration.

Publication Information: 

Publisher: Editions L'Harmattan

Year of Publication: 2005

Location: Paris, France

The idea of "world religions" expresses a vague commitment to multiculturalism. Not merely a descriptive concept, "world religions" is actually a particular ethos, a pluralist ideology, a logic of classification, and a form of knowledge that has shaped the study of religion and infiltrated ordinary language.

In this ambitious study, Tomoko Masuzawa examines the emergence of "world religions" in modern European thought. Devoting particular attention to the relation between the comparative study of language and the nascent science of religion, she demonstrates how new classifications of language and race caused Buddhism and Islam to gain special significance, as these religions came to be seen in opposing terms-Aryan on one hand and Semitic on the other. Masuzawa also explores the complex relation of "world religions" to Protestant theology, from the hierarchical ordering of religions typical of the Christian supremacists of the nineteenth century to the aspirations of early twentieth-century theologian Ernst Troeltsch, who embraced the pluralist logic of "world religions" and by so doing sought to reclaim the universalist destiny of European modernity.

Publication Information:

Publisher: University of Chicago Press

Year of Publication: 2005

Location: Chicago, IL

A minority within Judaism, the Karaites are known as a ‘reading community’—one that looks to the Bible as the authority in all areas of life, including intimate relations and hygiene. Here Ruth Tsoffar considers how Egyptian Kariates of the San Francisco Bay Area define themselves, within both California culture and Judaism, in terms of the Bible and its bearing on their bodies. Women’s perspectives play a large role in this ethnography; it is their bodies that are especially regulated by rules of cleanliness and purity to the point where their biological cycles—menstruation, procreation, childbirth, lactation—determine their place in the community. As Tsoffar notes, the female body itself becomes a richly encoded text that reveals much about the Karaites’ attitudes toward the interrelated issues of gender, sex, food, procreation, sacred traditions, time and space, as well as identity. The author illuminates the cultural strategies used by Karaite women to sustain their religious ideologies yet find personally meaningful ways of reading. The Karaites have survived since at least the 8th century by continually contemporizing their culture. Through a study of the rich, animated ritual experience of niddah (menstruation and purity codes in Leviticus), we see how the Karaite women seek to imagine and narrate a new history of purity through their bodies. The Stains of Culture presents issues of meaning and interpretation in a way valuable to students of women’s studies, anthropology, minority cultural production, scholars of religion and Judaism, especially to those interested in exploring Judaism’s diversity. Notes, Comments, Reviews: Awards: 2005 Elli Kongas-Maranda Prize - Result: Winner 2006 American Folklore Society Book Awards - Result: Winner 2006 National Jewish Book Awards - Result: Runner up in the National Jewish Book Awards in Women's Studies.

Publication Information:

Publisher: Wayne State University Press

Year of Publication: 2005

Location: Detroit, MI 

In The Abyss Above, Silke-Maria Weineck offers the first sustained discussion of the relationship between poetic madness and philosophy. Focusing on the mad poet as a key figure in what Plato called "the ancient quarrel between philosophy and poetry, " Weineck explores key texts from antiquity to modernity in order to understand why we have come to associate art with irrationality. She shows that the philosophy of madness concedes to the mad a privilege that continues to haunt the Western dream of reason, and that the theory of creative madness always strains the discourse on authenticity, pitching the controlled, repeatable, but restrained labor of philosophy against the spontaneous production of poetic texts said to be, by definition, unique.

Publisher: Publisher:State University of New York Press

Month of Publication: July

Year of Publication: 2002

Location: Albany, NY

# of Pages: 192

ISBN: 10: 0791454282

From the first successful Jesuit mission in 1583 until the disastrous failure of the British trade embassy in 1816, China’s cultural practices transfixed the attention of Western philosophers, theologians, architects, artists, entrepreneurs, and social critics. The direct influences on European culture were many and profound, ranging from Chinese teahouses in European palace gardens to adaptations of Chinese plays for the popular stage, from calls for the restructuring of the civil service on the model of Chinese meritocracy to the espousal of Confucian precepts in the moral education of children. More significant than even such readily visible gestures of imitation and appropriation, however, were the interpretive strategies that accompanied them: the processes by which Europeans translated the unfamiliar and often enigmatic artifacts of Chinese culture into familiar forms of meaning, thus engaging them in the emergent discourses of European modernity. This book traces recurrent patterns in the European imaginative constructions of China through four illuminating spheres of encounter: linguistic, theological, aesthetic, and economic. How might we compare the perplexity of Europeans before the Chinese writing system with their experience of Chinese religious practice, trade policy, or porcelain design? The author shows how the remarkably consistent interpretive paradigms revealed through such comparisons suggest not only how historical circumstances condition and constrain responses to the foreign but also how an active engagement with the cipher of foreignness shapes the way a society comes to understand itself. 

Publication Information: 

Publisher: Stanford University Press

Year of Publication: 2002

Location: Palo Alto, CA

Many famous texts from classical antiquity—by historians like Thucydides, tragedians like Sophocles and Euripides, the comic poet Aristophanes, the philosopher Plato, and, above all, Homer—present powerful and profound accounts of wartime experience, both on and off the battlefield. These texts also provide useful ways of thinking about the complexities and consequences of wars throughout history, and the concept of war broadly construed, providing vital new perspectives on conflict in our own era.

Our Ancient Wars features essays by top scholars from across academic disciplines—classicists and historians, philosophers and political theorists, literary scholars, some with firsthand experience of war and some without—engaging with classical texts to understand how differently they were read in other times and places. Contributors articulate difficult but necessary questions about contemporary conceptions of war and conflict.

Contributors include Victor Caston, Page duBois, Susanne Gödde, Peter Meineck, Sara Monoson, David Potter, Kurt Raaflaub, Arlene Saxonhouse, Seth Schein, Nancy Sherman, Hans van Wees, Silke-Maria Weineck, and Paul Woodruff.

“The chapters reflects an unusual degree of thoughtfulness as well as sound scholarship. The collection will appeal to a much broader group than the academic community. All the chapters are readable by an educated general public, and the topics covered are timely and provocative.”

—Rosemary Moore, University of Iowa

Jacket illustration: Fifty Days at Iliam: The Fire that Consumes All before It, Cy Twombly, 1978. Philadelphia Museum of Art: Gift (by exchange) of Samuel S. White 3rd and Vera White, 1989. © Cy Twombly Foundation

Victor Caston is Professor of Philosophy and Classical Studies at the University of Michigan.  Silke-Maria Weineck is Professor of Comparative Literature and German Studies at the University of Michigan.

A different set of purposes define culture today than those that preoccupied the world in the immediate decades of decolonization. Focusing on art and music in diverse parts of the world, Daniel Herwitz explores a world that has largely shifted from the earlier days of nationalism, decolonization and cultural exclusion, to one of global markets and networks. 

Using examples from India and Mexico to South Africa, Australia and China, Herwitz argues that the cultural politics and art being produced in these places are now post- postcolonial. Where the postcolonial downplayed formerly Eurocentric forms and celebrated art with national consciousness, the rules for 21st century cultural authenticity are quickly disappearing. Young people think of themselves in relation to global culture rather than nation-¬-building; the project of producing a new and modern art for the incipient and rising postcolonial nation is out of date.

By examining the shift in which art accesses the past and the rise of trends such as hitching consumer culture to celebrity forms and branding, Herwitz's original and engaging exploration of contemporary art captures the ways in which art has given way to a new form of production, altering everything from the role of tradition and heritage in contemporary art to the terms of its vision and circulation.

Avant de passer dans le langage courant, « donner le change » désignait la ruse par laquelle un cerf traqué, brouillant la voie, en faisait courir un autre à sa place. Le temps d’une indistinction des corps, la proie se donnait en autre et par là s’échappait. Et si ce vertige au moment de la saisie, ce drame hallucinatoire de la scène de chasse animait encore secrètement nos textes ? À la pensée de Derrida viennent répondre ici Poe, Melville, Flaubert, Michaux, Cendrars et les archives de la vénerie. Aujourd’hui que « donner le change » n’est plus que métaphore, retrouver son sens oublié c’est mesurer l’obscur enjeu de cette capacité accordée jadis à l’être animal de déjouer nos comptes. Capacité peut-être de tout temps sue par la poésie, voire enfouie dans les plis du langage ordinaire : la rappeler, c’est repenser aussi bien ce qu’est le don, et le don du sens, que ce qu’est l’animal.

Qui n'a jamais rêvé d'être quelqu'un d'autre ? D'échanger sa place avec un autre ? Debut du XIXe siècle, Philadelphie : un jeune américain, Sheppard Lee, se découvre capable de migrer de corps en corps : il sera un riche, un pauvre, un fou, un esclave. et ses multiples réincarnations vont peu à peu dessiner le portrait de la société américaine, une société folle et cruelle.

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions.

Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.

When his astrologers foretell that his son Josaphat will convert to Christianity, the pagan King Avenir confines him to a palace, allowing him to know only the pleasures of the world, and to see no illness, death, or poverty. Despite the king's precautions, the hermit Barlaam comes to Josaphat and begins to teach the prince Christian beliefs through parables. Josaphat converts to Christianity, angering his father, who tries to win his son back to his religion before he, too, converts. After his father's death, Josaphat renounces the world and lives as a hermit in the wilderness with his teacher Barlaam. Long attributed to the eighth-century monk and scholar, St. John of Damascus, Barlaam and Josaphat was translated into numerous languages around the world. Philologists eventually traced the name Josaphat as a derivation from the Sanskrit bodhisattva, the Buddhist term for the future Buddha, highlighting this text as essential source reading for connections between several of the world’s most popular religions. The first version to appear in modern English, Peggy McCracken’s highly readable translation reintroduces a classic tale and makes it accessible once again.

Publication Information:

Publisher: Penguin Group

Year of Publication: 2014

Location: New York, NY

The fascinating account of how the story of the Buddha was transformed into the legend of a Christian saint. The tale of St. Josaphat, a prince who gave up his wealth and kingdom to follow Jesus, was widely told and read in the Middle Ages, translated into a dozen languages, and even cited by Shakespeare in The Merchant of Venice. Only in the nineteenth century did scholars note the parallels between the lives of Buddha and Josaphat. In Search of the Christian Buddha traces the Buddha’s story from India to Persia to Jerusalem and then throughout Europe, as it was rewritten by Muslim, Jewish, and Christian authors, illustrating its unsuspected integration into European culture. Through a comparison of the tale’s various versions, this book reveals surprising convergences and divergences—between Christianity and Buddhism on subjects including the meaning of death, the problem of desire, and the view of women.

Publication Information:

Publisher: W. W. Norton & Company, Inc.

Year of Publication: 2014

Location: New York, NY

The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today. (from Amazon.com)

Publication Information: 

Publisher: John Hopkins University Press

Year of Publication: 2014

Location: Baltimore, MD

An influential view of ecphrasis--the literary description of art objects--chiefly treats it as a way for authors to write about their own texts without appearing to do so, and even insist upon the aesthetic dominance of the literary text over the visual image. However, when considering its use in ancient Roman literature, this interpretation proves insufficient. The Captor's Image argues for the need to see Roman ecphrasis, with its prevalent focus on Hellenic images, as a site of subtle, ongoing competition between Greek and Roman cultures. Through close readings of ecphrases in a wide range of Latin authors--from Plautus, Catullus, and Horace to Vergil, Ovid, and Martial, among others--Dufallo contends that Roman ecphrasis reveals an ambivalent receptivity to Greek culture, an attitude with implications for the shifting notions of Roman identity in the Republican and Imperial periods. Individual chapters explore how the simple assumption of a self-asserting ecphrastic text is called into question by comic performance, intentionally inconsistent narrative, satire, Greek religious iconography, the contradictory associations of epic imagery, and the author's subjection to a patron. Visual material such as wall painting, statuary, and drinkware vividly contextualizes the discussion. As the first book-length treatment of artistic ecphrasis at Rome, The Captor's Image resituates a major literary trope within its hybrid cultural context while advancing the idea of ecphrasis as a cultural practice through which the Romans sought to redefine their identity with, and against, Greekness. Publisher: Oxford University Press Month of Publication: February Year of Publication: 2013 Location: New York, NY

Winner of the 2014 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies, awarded by the Modern Language Association.

Theories of power have always been intertwined with theories of fatherhood: paternity is the oldest and most persistent metaphor of benign, legitimate rule. The paternal trope gains its strength from its integration of law, body, and affect—in the affirmative model of fatherhood, the biological father, the legal father, and the father who protects and nurtures his children are one and the same, and in a complex system of mutual interdependence, the father of the family is symbolically linked to the paternal gods of monotheism and the paternal ruler of the monarchic state.

If tragedy is the violent eruption of a necessary conflict between competing, legitimate claims, The Tragedy of Fatherhood argues that fatherhood is an essentially tragic structure. Silke-Maria Weineck traces both the tensions and various strategies to resolve them through a series of readings of seminal literary and theoretical texts in the Western cultural tradition. In doing so, she demonstrates both the fragility and resilience of fatherhood as the most important symbol of political power.

A long history of fatherhood in literature, philosophy, and political thought, The Tragedy of Fatherhood weaves together figures as seemingly disparate as Aristotle, Freud, Kafka, and Kleist, to produce a stunning reappraisal of the nature of power in the Western tradition.

Publisher: Bloomsbury Academic

Published: 08-28-2014

ISBN: 9781628920789

Series: New Directions in German Studies
Volume: 9

The Middle Ages provides a particularly rich trove of hybrid creatures, semi-human beings, and composite bodies: we need only consider manuscript pages and stone capitals in Romanesque churches to picture the myriad figures incorporating both human and animal elements that allow movement between, and even confusion of, components of each realm.

From Beasts to Souls: Gender and Embodiment in Medieval Europe raises the issues of species and gender in tandem, asking readers to consider more fully what happens to gender in medieval representations of nonhuman embodiment. The contributors reflect on the gender of stones and the soul, of worms and dragons, showing that medieval cultural artifacts, whether literary, historical, or visual, do not limit questions of gender to predictable forms of human or semi-human embodiment.

“From Beasts to Souls: Gender and Embodiment in Medieval Europe is a cogent, well-conceived addition to the dynamic field of cultural studies of the body. The essays are extremely strong, with contributions that are both insightful and provocative.”

— Suzanne Conklin Akbari, University of Toronto.

Publication Information: 

Publisher: Notre Dame Press

Year of Publication: 2013

Location: Notre Dame, IN

Tatjana Aleksic examines the widespread use of the sacrificial metaphor in cultural texts and its importance to sustaining communal ideologies in the Balkan region. Aleksic further relates the theme to the sanctioning of ethnic cleansing, rape, and murder in the name of homogeneity and collective identity. She employs cultural theory, sociological analysis, and human rights studies to expose a historical narrative that is predominant regionally, if not globally.

Publication Information: 

Publisher: University of Pittsburgh Press

Year of Publication: 2013

Location: Pittsburgh, PA

Recent historical scholarship has shown the way towards a geographically capacious conception of the early modern world. Featuring essays by nine leading scholars of early modern Asia and Europe, Comparative Early Modernities casts aside the legacies of European exceptionalism to reveal the interconnected multiplicity of the early modern world and of the variety of unexpected pathways linking these histories to the evolving modernities of the 21st century. In their fresh and provocative examinations of topics in literature, philosophy, art history, and political economy, the authors transform our understanding of global early modernity and reassess the theoretical and methodological premises of comparative historical studies.

Publication Information:

Publisher: Palgrave Macmillan

Year of Publication: 2012

Location: New York, NY

The act of remaking one's history into a heritage, a conscientiously crafted narrative placed over the past, is a thriving industry in almost every postcolonial culture. This is surprising, given the tainted role of heritage in so much of colonialism's history. Yet the postcolonial state, like its European predecessor of the eighteenth and nineteenth centuries, deploys heritage institutions and instruments, museums, courts of law, and universities to empower itself with unity, longevity, exaltation of value, origin, and destiny.

Bringing the eye of a philosopher, the pen of an essayist, and the experience of a public intellectual to the study of heritage, Daniel Herwitz reveals the febrile pitch at which heritage is staked. In this absorbing book, he travels to South Africa and unpacks its controversial and robust confrontations with the colonial and apartheid past. He visits India and reads in its modern art the gesture of a newly minted heritage idealizing the precolonial world as the source of Indian modernity. He traverses the United States and finds in its heritage of incessant invention, small town exceptionalism, and settler destiny a key to contemporary American media-driven politics. Showing how destabilizing, ambivalent, and potentially dangerous heritage is as a producer of contemporary social, aesthetic, and political realities, Herwitz captures its perfect embodiment of the struggle to seize culture and society at moments of profound social change.

Publication Information:

Publisher: Columbia University Press

Year of Publication: 2012

Location: New York, NY

Multiple Impressions examines works by 40 leading printmakers from contemporary China, highlighting the extraordinary innovations, in both technique and conception, which have transformed this long-established art form in recent years. It includes works by such artists as Xu Bing, Kang Ning, Song Yuanwen, Chen Qi, He Kun, and Fang Limin, as well as many other accomplished printmakers.
Essays by noted scholars place contemporary printmaking in its complex art historical and cultural contexts, discuss the relationship between printmaking and contemporary art, and interpret new work by the internationally prominent artist Xu Bing. The book explores three key themes in printmaking today: "Landscapes Old and New" illustrates the variety of techniques and visual idioms contemporary printmakers draw on to create expressive and fantastic landscapes; "Fellow Citizens" turns to the human figure; and "Layered Abstractions" focuses on works that showcase the distinct visual effects and pictorial language that underscore the process of making a print.

Publisher: University of Washington Press

Month of Publication: June

Year of Publication: 2011

Location: Seattle, WA

Jean Genet's masterpiece Les Nègres was first published in 1958, in the midst of the Algerian war, and first performed at the Théâtre de Lutèce in Paris in October 1959. Yet even though the play is more than 50 years old, it remains a fundamental contribution to critical race theory, as Genet unequivocally posits that no matter what a black person does or doesn't do, simply to be black in our times is itself a tragedy.
Placing Genet in the context of Negritude movement, Race and Sex across the French Atlantic equally reveals and examines blackness within the African-American dialogue with a white French author's provocative questions about race: "Is a black man always black?" and even more fundamentally, "What is blackness?" Within this framework, to question "blackness," therefore, is to set out on an ontological quest, as "blackness" has become a real, living thing in its own right within European ideology, social theory, and historical consciousness, even as Les Nègres has taken its place as a major text in the francophone and philosophical tradition of writing on race.

In essence, this book concentrates on the way in which language-particularly the French language-has shaped ideas about race within transatlantic discourses, and, with its companion, continental philosophy, has also shaped the historical understanding of discourse on race. It navigates between multiple readings of race within the French Atlantic using Lorraine Hansberry's play Les Blancs; Dany Laferrière's Comment faire l'amour avec un Nègre sans se fatiguer; Genet's dialogue with the Black Panthers; and different conceptions of the so-called N word.
Race and Sex across the French Atlantic thus explores how Les Nègres offered a groundbreaking reading of how race functioned-and continues to function-as an all-pervasive discourse that provides a central principle around which society in general is organized.

Publisher: Lexington Books

Month of Publication: December

Year of Publication: 2010

Ever since the 1969 Stonewall Riots, “gay pride” has been the rallying cry of the gay rights movement and the political force behind the emergence of the field of lesbian and gay studies. But has something been lost, forgotten, or buried beneath the drive to transform homosexuality from a perversion to a proud social identity? Have the political requirements of gay pride repressed discussion of the more uncomfortable or undignified aspects of homosexuality? Gay Shame seeks to lift this unofficial ban on the investigation of homosexuality and shame by presenting critical work from the most vibrant frontier in contemporary queer studies. An esteemed list of contributors tackles a range of issues—questions of emotion, disreputable sexual histories, dissident gender identities, and embarrassing figures and moments in gay history—as they explore the possibility of reclaiming shame as a new, even productive, way to examine lesbian and gay culture. Accompanied by a DVD collection of films, performances, and archival imagery, Gay Shame constitutes nothing less than a major redefinition and revitalization of the field.

Publication Information:

Publisher: The University of Chicago Press

Year of Publication: 2009

Location: Chicago, IL

"Les jeunes filles de Fulani sont enfermées ainsi, parfois pendant des années, dans l'obscurité, jusqu'à leur mariage imposé." A travers des portraits de femmes aux destins rebelles, de conflits de cultures, Frieda Ekotto bouscule les préjugés pour nous proposer une autre vision des rapports humains. Riche de son écriture composite, éclaté, ce récit échappe ainsi aux formes traditionnelles de la narration.

Publication Information: 

Publisher: Editions L'Harmattan

Year of Publication: 2005

Location: Paris, France

The idea of "world religions" expresses a vague commitment to multiculturalism. Not merely a descriptive concept, "world religions" is actually a particular ethos, a pluralist ideology, a logic of classification, and a form of knowledge that has shaped the study of religion and infiltrated ordinary language.

In this ambitious study, Tomoko Masuzawa examines the emergence of "world religions" in modern European thought. Devoting particular attention to the relation between the comparative study of language and the nascent science of religion, she demonstrates how new classifications of language and race caused Buddhism and Islam to gain special significance, as these religions came to be seen in opposing terms-Aryan on one hand and Semitic on the other. Masuzawa also explores the complex relation of "world religions" to Protestant theology, from the hierarchical ordering of religions typical of the Christian supremacists of the nineteenth century to the aspirations of early twentieth-century theologian Ernst Troeltsch, who embraced the pluralist logic of "world religions" and by so doing sought to reclaim the universalist destiny of European modernity.

Publication Information:

Publisher: University of Chicago Press

Year of Publication: 2005

Location: Chicago, IL

A minority within Judaism, the Karaites are known as a ‘reading community’—one that looks to the Bible as the authority in all areas of life, including intimate relations and hygiene. Here Ruth Tsoffar considers how Egyptian Kariates of the San Francisco Bay Area define themselves, within both California culture and Judaism, in terms of the Bible and its bearing on their bodies. Women’s perspectives play a large role in this ethnography; it is their bodies that are especially regulated by rules of cleanliness and purity to the point where their biological cycles—menstruation, procreation, childbirth, lactation—determine their place in the community. As Tsoffar notes, the female body itself becomes a richly encoded text that reveals much about the Karaites’ attitudes toward the interrelated issues of gender, sex, food, procreation, sacred traditions, time and space, as well as identity. The author illuminates the cultural strategies used by Karaite women to sustain their religious ideologies yet find personally meaningful ways of reading. The Karaites have survived since at least the 8th century by continually contemporizing their culture. Through a study of the rich, animated ritual experience of niddah (menstruation and purity codes in Leviticus), we see how the Karaite women seek to imagine and narrate a new history of purity through their bodies. The Stains of Culture presents issues of meaning and interpretation in a way valuable to students of women’s studies, anthropology, minority cultural production, scholars of religion and Judaism, especially to those interested in exploring Judaism’s diversity. Notes, Comments, Reviews: Awards: 2005 Elli Kongas-Maranda Prize - Result: Winner 2006 American Folklore Society Book Awards - Result: Winner 2006 National Jewish Book Awards - Result: Runner up in the National Jewish Book Awards in Women's Studies.

Publication Information:

Publisher: Wayne State University Press

Year of Publication: 2005

Location: Detroit, MI 

In The Abyss Above, Silke-Maria Weineck offers the first sustained discussion of the relationship between poetic madness and philosophy. Focusing on the mad poet as a key figure in what Plato called "the ancient quarrel between philosophy and poetry, " Weineck explores key texts from antiquity to modernity in order to understand why we have come to associate art with irrationality. She shows that the philosophy of madness concedes to the mad a privilege that continues to haunt the Western dream of reason, and that the theory of creative madness always strains the discourse on authenticity, pitching the controlled, repeatable, but restrained labor of philosophy against the spontaneous production of poetic texts said to be, by definition, unique.

Publisher: Publisher:State University of New York Press

Month of Publication: July

Year of Publication: 2002

Location: Albany, NY

# of Pages: 192

ISBN: 10: 0791454282

From the first successful Jesuit mission in 1583 until the disastrous failure of the British trade embassy in 1816, China’s cultural practices transfixed the attention of Western philosophers, theologians, architects, artists, entrepreneurs, and social critics. The direct influences on European culture were many and profound, ranging from Chinese teahouses in European palace gardens to adaptations of Chinese plays for the popular stage, from calls for the restructuring of the civil service on the model of Chinese meritocracy to the espousal of Confucian precepts in the moral education of children. More significant than even such readily visible gestures of imitation and appropriation, however, were the interpretive strategies that accompanied them: the processes by which Europeans translated the unfamiliar and often enigmatic artifacts of Chinese culture into familiar forms of meaning, thus engaging them in the emergent discourses of European modernity. This book traces recurrent patterns in the European imaginative constructions of China through four illuminating spheres of encounter: linguistic, theological, aesthetic, and economic. How might we compare the perplexity of Europeans before the Chinese writing system with their experience of Chinese religious practice, trade policy, or porcelain design? The author shows how the remarkably consistent interpretive paradigms revealed through such comparisons suggest not only how historical circumstances condition and constrain responses to the foreign but also how an active engagement with the cipher of foreignness shapes the way a society comes to understand itself. 

Publication Information: 

Publisher: Stanford University Press

Year of Publication: 2002

Location: Palo Alto, CA

Many famous texts from classical antiquity—by historians like Thucydides, tragedians like Sophocles and Euripides, the comic poet Aristophanes, the philosopher Plato, and, above all, Homer—present powerful and profound accounts of wartime experience, both on and off the battlefield. These texts also provide useful ways of thinking about the complexities and consequences of wars throughout history, and the concept of war broadly construed, providing vital new perspectives on conflict in our own era.

Our Ancient Wars features essays by top scholars from across academic disciplines—classicists and historians, philosophers and political theorists, literary scholars, some with firsthand experience of war and some without—engaging with classical texts to understand how differently they were read in other times and places. Contributors articulate difficult but necessary questions about contemporary conceptions of war and conflict.

Contributors include Victor Caston, Page duBois, Susanne Gödde, Peter Meineck, Sara Monoson, David Potter, Kurt Raaflaub, Arlene Saxonhouse, Seth Schein, Nancy Sherman, Hans van Wees, Silke-Maria Weineck, and Paul Woodruff.

“The chapters reflects an unusual degree of thoughtfulness as well as sound scholarship. The collection will appeal to a much broader group than the academic community. All the chapters are readable by an educated general public, and the topics covered are timely and provocative.”

—Rosemary Moore, University of Iowa

Jacket illustration: Fifty Days at Iliam: The Fire that Consumes All before It, Cy Twombly, 1978. Philadelphia Museum of Art: Gift (by exchange) of Samuel S. White 3rd and Vera White, 1989. © Cy Twombly Foundation

Victor Caston is Professor of Philosophy and Classical Studies at the University of Michigan.  Silke-Maria Weineck is Professor of Comparative Literature and German Studies at the University of Michigan.

A different set of purposes define culture today than those that preoccupied the world in the immediate decades of decolonization. Focusing on art and music in diverse parts of the world, Daniel Herwitz explores a world that has largely shifted from the earlier days of nationalism, decolonization and cultural exclusion, to one of global markets and networks. 

Using examples from India and Mexico to South Africa, Australia and China, Herwitz argues that the cultural politics and art being produced in these places are now post- postcolonial. Where the postcolonial downplayed formerly Eurocentric forms and celebrated art with national consciousness, the rules for 21st century cultural authenticity are quickly disappearing. Young people think of themselves in relation to global culture rather than nation-¬-building; the project of producing a new and modern art for the incipient and rising postcolonial nation is out of date.

By examining the shift in which art accesses the past and the rise of trends such as hitching consumer culture to celebrity forms and branding, Herwitz's original and engaging exploration of contemporary art captures the ways in which art has given way to a new form of production, altering everything from the role of tradition and heritage in contemporary art to the terms of its vision and circulation.

Avant de passer dans le langage courant, « donner le change » désignait la ruse par laquelle un cerf traqué, brouillant la voie, en faisait courir un autre à sa place. Le temps d’une indistinction des corps, la proie se donnait en autre et par là s’échappait. Et si ce vertige au moment de la saisie, ce drame hallucinatoire de la scène de chasse animait encore secrètement nos textes ? À la pensée de Derrida viennent répondre ici Poe, Melville, Flaubert, Michaux, Cendrars et les archives de la vénerie. Aujourd’hui que « donner le change » n’est plus que métaphore, retrouver son sens oublié c’est mesurer l’obscur enjeu de cette capacité accordée jadis à l’être animal de déjouer nos comptes. Capacité peut-être de tout temps sue par la poésie, voire enfouie dans les plis du langage ordinaire : la rappeler, c’est repenser aussi bien ce qu’est le don, et le don du sens, que ce qu’est l’animal.

Qui n'a jamais rêvé d'être quelqu'un d'autre ? D'échanger sa place avec un autre ? Debut du XIXe siècle, Philadelphie : un jeune américain, Sheppard Lee, se découvre capable de migrer de corps en corps : il sera un riche, un pauvre, un fou, un esclave. et ses multiples réincarnations vont peu à peu dessiner le portrait de la société américaine, une société folle et cruelle.

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions.

Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.