Skip to Content

Brown Bag Lecture "Maverick American Music"

Tuesday, April 3, 2012
12:00 AM
202 S. Thayer, room 2022, Ann Arbor

William Bolcom, music

In an informal talk, William. Bolcom will speak of his long odyssey as a composer, concentrating on his slow disentanglement from the academic musical conformism of the composers of his youth.  His effort to relate the American musical vernacular to the larger body of new and traditional music has been the hallmark of his best-known compositions.

National Medal of Arts, Pulitzer Prize, and Grammy Award-winner William Bolcom (born May 26, 1938) is an American composer of chamber, operatic, vocal, choral, cabaret, ragtime, and symphonic music.

Born in Seattle, Washington. he began composition studies at the age of 11 with George Frederick McKay and John Verall at the University of Washington while continuing piano lessons with Madame Berthe Poncy Jacobson.  He later studied with Darius Milhaud at Mills College while working on his Master of Arts degree, with Leland Smith at Stanford University while working on his D.M.A., and with Olivier Messiaen and Milhaud at the Paris Conservatoire, where he received the 2éme Prix de Composition.

He joined the faculty of the University of Michigan's School of Music in 1973, was named the Ross Lee Finney Distinguished University Professor of Composition in 1994, and retired in 2008 after 35 years.  Bolcom won the Pulitzer Prize for music in 1988 for 12 New Etudes for Piano, and his setting of William Blake's Songs of Innocence and Songs of Experience on the Naxos label won four Grammy Awards in 2005.