Over three years in the making, this anthology includes a lively assortment of chapters written by scholars from all over the world on the ways in which music and audio interact with screen cultures new and traditional. In her essay "The Mutating Musical and THE SOUND OF MUSIC," Professor Caryl Flinn explores the rich online afterlife of SOUND OF MUSIC and its impact on our understanding of musicals, as a genre, and as a text that offers utopian hopes and fantasy.