THEORY 460 - Special Courses
Section: 001 Music in Political Film
Term: WN 2019
Subject: Music Theory (THEORY)
Department: Music School
Waitlist Capacity:
Enforced Prerequisites:
THEORY 240 and 250.
May be repeated for credit.
Undergrad and Grad
Meet Together Classes:
Primary Instructor:

See Schedule of Classes in any particular term for description and prerequisites. Courses of recent years have included studies in analysis and aesthetics, jazz analysis, serialism, and traditional elaboration and ornamentation.

THEORY 460 - Special Courses
Schedule Listing
001 (LEC)
MW 1:00PM - 2:30PM
002 (LEC)
TuTh 2:30PM - 4:00PM
003 (LEC)
MW 2:30PM - 4:00PM
Note: "Music," Henry Wadsworth Longfellow once said, "is the universal language of humankind." Indeed, the belief that there is something language-like about music has long fascinated not only poets like Longfellow, but also scientists, philosophers, and thinkers from a variety of other backgrounds not to mention linguists and music theorists. This course builds on this age-old interest from an interdisciplinary perspective, to see how music and language are related, and how they are also different. So we will explore, for example, how music and language function in different cultural contexts, as described by anthropologists, and how they evolved, and allow us to think, express and be creative, as philosophers, psychologists and biologists have discussed and in the process, we will explore things as diverse as birdsongs and Beethoven symphonies, fractals and Neanderthal flutes, and grunge rhythms and the music of New Guinea. To help us ground our comparison of music and language, we will learn some linguistics too?within a framework known as generative linguistics, developed by linguists like Noam Chomsky and we will see how this perspective suggests that music and language might actually be identical. Graduate students elect Theory 560.
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