Jesmyn Ward, whose novel Salvage the Bones won the 2011 National Book Award for Fiction, has been called “fearless and toughly lyrical” (The Library Journal). Her unflinching portrayals of young black men and women struggling to thrive in a South ravaged by poverty and natural disaster have been praised for their “graphic clarity” (The Boston Globe) and “hugeness of heart” (O: The Oprah Magazine). Ward's precise and graceful narratives make her a fitting heir to the rich literary tradition of the American South.
Ward’s latest book, Men We Reaped, is a memoir that confronts the five years of Ward’s life in which she lost five young men—to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Lauded as a “modern rejoinder to Black Like Me [and] Beloved,” (Kirkus Reviews) Men We Reaped is a beautiful and painful homage to Ward’s past, her ghosts, and the haunted yet hopeful place she still calls home. A finalist for the National Book Critics Circle Award for Autobiography, it has been named one of the Best Books of 2013 by Publishers Weekly and The New York Times, among others.
In her talks, Ward shares her writing process and how her experiences growing up poor and black in the South continue to influence her work. As Ward said in her acceptance speech at the National Book Awards, “I understood that I wanted to write about the experiences of the poor, and the black and the rural people of the South, so that the culture that marginalized us for so long would see that our stories were as universal, our lives as fraught and lovely and important, as theirs.”
(Excerpted from lyceumagency.com)